Jane Vance, Curator, The Art of Precision and Reach

For 30 years Jane Lillian Vance’s highly narrative and studiously detailed paintings have been concerned with bridging the space between East and West. The Dalai Lama’s favorite poet, Shantideva, wrote in the 8th century classic Heart Sutra: “May I be a boat, a bridge, a lamp for those desiring the further shore.” In many ways, Vance’s work offers passage—into luxurious naturalist detail, as well as into severe and magnificent contemporary landscapes around the world.

Vance is internationally known for creating oil paintings with brilliant detail and vivid, painstaking iconography, from Tibetan Buddhism and the folk arts of the Himalayas, as well as from rural Zambia, in her current Africa Series, about medicine and hope. Her paintings are housed in private collections on four continents. Widely recognized for her knowledge and understanding of Tibetan and Nepali culture, Vance is a frequent lecturer and keynote speaker on the subject.

For many years, before public notice, Vance worked constantly on her elaborate, increasingly Tibetan-focused oil paintings, until internationally acclaimed art critic Suzi Gablik visited Vance and began their great friendship, writing about Vance in Satish Kumar’s Resurgence magazine, and in "Images of Earth and Spirit," an English anthology of spiritual contemporary art.

In the winter of 2000, accompanied by her friend Amchi Tsampa Ngawang Lama and videographer Jenna Swann, Vance crossed an 18,000-foot Himalayan pass in a snowstorm during a month-long trek in Nepal’s Annapurna region. It was during this trek with Amchi Tsampa that he and Vance planned the Buddhist lama’s first visit to America, where he would later live for six months at Vance’s home, studying and teaching together in Blacksburg, Virginia. During these months the Buddhist lama initiated Vance to begin his lineage portrait. With film producer Tom Landon joining videographer Jenna Swann, the journey of the Amchi painting would become the internationally acclaimed and award-winning documentary, A Gift for the Village.

In 2007, the festival for A Gift for the Village drew national and international attention, with Nepal’s media writing about Vance and her long-standing appreciation of Nepal and its people. The King of Lo, former Raja Jigme Parwar Bista, personally thanked Vance for the gift of the painting, which Amchi Tsampa described to the King as “the jewel of Mustang.”

Vance attended the College of William and Mary, Exeter University in Devon, England, and Virginia Tech. She teaches The Creative Process through the Department of Religion and Culture at Virginia Tech.